“A bruised reed shall he not break”: John Miles’s portraits of patients at the Royal Edinburgh Asylum. Part 2.
This is the second of two papers which examine a series of portraits of patients at the Royal Edinburgh Asylum (REA) which were undertaken in the 1880s by John Miles, who, as well as being a professional painter, was also an inmate of the Morningside institution. Alongside the portraits by Miles, we began, in Paper 1, to discuss a second series of portraits of the same patients, contained in a collection, entitled Bruised Reeds. In this paper we focus on the remaining portraits in this collection, before discussing the wider implications of the two series of portraits.